Tuesday, November 30, 2010
Living a Life Less Public
“I miss your Gazette blog.”
It's nice to hear, and I always thank the person for having been a reader. What I would really like to say in response is, “I don't.”
I actually hear from people who say they wish I still wrote my column in the Messenger, a forum that disappeared over two years ago. Most of these comments get relayed to me through my mother. Apparently, I was a hit with the conservative elderly set.
So why did I stop writing the blog? Was it really as I said in my final entry, or was there something more sinister afoot?
Speculation certainly ran rampant, especially when it was teamed with my stated desire to retire from stage productions and end the series of radio plays broadcast live from JPAC on WCLO. One rumor floating around the Gazette building was that I was moving to Minneapolis. We can thank Steve Knox's blog comparing me to Brett Favre for that one. (That was at the time when Favre was still better known for his repeated “unretirements” than for his text plan.)
Another comment circulating around town was that I had “gone off the deep end.” Well, one could argue that I had done that years ago, but wanting to refocus how I spend my free time was being viewed as a sign of instability? If you're someone who craves attention, I guess it would be. And admittedly, I used to crave it a little too much. A great week in the life of Jim Lyke used to be hitting the media trifecta: subbing for Stan Milam on WCLO, a column in the newspaper and a stage appearance. Ah, the life of a local celebrity (gag).
At some point, though, the thrill wears off. I love to write – obviously – but the Gazette blog had become a chore. It wasn't fun, and when something creative isn't fun, the ideas don't materialize. Weekly entries dwindled to monthly. There just wasn't much that interested me to write about. Basically, it was the wrong format for what I like to do. For one thing, it was much more time consuming than it should have been. Where many blogs take little more thought than the time it takes to put them in writing, I would revise and rewrite for a couple of days, over-analyzing every sentence, every word, like I was doing a manuscript rather than some piece of Internet fluff that would disappear from view in a day. Only once or twice did something flow so quickly and naturally that I declared it done and posted it. At some point, the time and trouble just wasn't worth it anymore.
I have been asked if I quit the blog because the anonymous comments got to me. They could be annoying, to be sure, but they weren't a factor in the decision. It was always somewhat amusing to picture these unidentified saps – I always had a vision of an unkempt guy hiding behind his user name in his basement studio apartment, illuminated only by the glow of his PC screen, surrounded by stacks of porn, Wonder Woman comics and animal feces, fist-pumping as he imparted his poorly-spelled wisdom in cyberspace.
People speculated that I would miss writing the blog, and honestly, I wondered that myself. After three months of freedom, though, I can truly say that not having it weighing on me all the time is a relief, one of the better difficult decisions I've made.
As for retiring from the stage, that is where Knox's comparison of me to Favre was valid. A single week after dramatically announcing on Facebook that I had retired from theater performances, I got contacted about doing a role in Theatre Unlimited's “Camelot.” The progression went from “no” to “I'll think about it” to “let me see the script” to “yes” in a couple of days. I'm glad I did the show, for many reasons.
First, it was a good show to go out on, the biggest role I had played in a while. My previous shows were two important but smaller parts in “West Side Story” and what amounted to an Act II cameo in “The Frogs.” Both were fun shows and characters that I really enjoyed. The role of Pellinore, however, was special. With the funniest lines in the show, it was a hoot to play. Being surrounded by a tremendous cast of young and not-so-young was a bonus. Tom Henson, who I had never worked with before, absolutely shone as Arthur. It was always funny to hear the procession of little old ladies greet Tom in the lobby and tell him how much he was like Richard Burton. It was also a chance to work with two of my favorite radio play actors, Dave Bitter and J. Peter Shaw. And to top it off, the backstage drama was at a minimum. Over all, a good final experience, like watching Michael Jordan nail the jumper to clinch the three-peat before walking away.
But it also reinforced to me the cons of doing a show. While my rehearsal schedule wasn't nearly as intense as that of the leads or those in the choreographed numbers, it was still more evenings away from home than I prefer. At some point, a guy just wants to come home from a long day of work, have dinner with the family and sit down in an easy chair with a Leinie's. Sometimes it's hard to find the energy to do a show after 9 hours of office stress.
Like Jordan, I don't anticipate my retirement lasting forever, though certainly longer than his did. But retirement is a good term to use if for no other reason than a mental commitment to take a break.
Then there is the matter of the radio plays. Unlike the more recent decisions about the blog and stage shows, it has always been in the plans to end this series. I had done all three of the Christmas radio plays I wanted to do, and “War of the Worlds” was the last script I wanted to take a stab at. Unfortunately, unlike “Camelot,” “War of the Worlds” did not comprise the satisfying ending I had hoped for.
Unlike all three of the Christmas radio plays, attendance wasn't affected by a snowstorm. Being that this is Wisconsin, however, it wouldn't have surprised me if it had. Instead, an incorrect starting time in that day's Janesville Gazette - as well as the previous week's Milton Courier - meant that several people showed up a half hour late and were unable to come into the auditorium during the live broadcast. Among those who missed the show were parents of some of the actors.
Then technical difficulties marred the actual radio broadcast. The WCLO mobile unit decided that this was a good time to get finicky. Three times, it cut out for periods of up to 30 seconds, and then the final two minutes were distorted to the point of being unlistenable. Like an engine that dies on your way to a job interview, sometimes it just happens. Fortunately, the 160 people who came to watch the broadcast in the auditorium were unaware of the problem and thoroughly enjoyed the spectacle.
Most disappointing, though, was the way the radio station's enthusiasm and support for the shows disappeared over the course of the four years, to the point where “War of the Worlds” was a non-event to everyone there except program director Tim Bremel and the three announcers who had roles in the show. It was a far cry from that heady first year, where the station proudly nominated “A Christmas Carol” for a state broadcasting award and took home the hardware for first place.
While these high profile pursuits are ending, I am refocusing primarily on projects that I can do on my own timetable. I have a major writing project coming up in 2011 that I am very excited about. And of course, there are the short films I am doing with Robert Jarzen. Those two things alone will more than satisfy my creative urges.
Wednesday, October 27, 2010
A Quarter-Century Without a Father
Thursday, October 31, 1985. 1:20 p.m. A farmhouse in rural Janesville Township. A hospital bed set up in the middle of the living room.
Lying in the bed, gasping for breath, is my 61-year-old father, and he has just spoken the last words that will ever pass from his toothless mouth: “Last day.”
He is surrounded by his wife of 37 years, his four children, a pastor and a nurse. The pastor reads the twenty-third Psalm. The nurse checks vital signs and announces them like she’s in a televised medical drama. The family begs God to end the man’s suffering, some silently and some aloud.
Finally, in an undramatic, non-Hollywood fashion, his body stills. His chest doesn’t heave, his eyes and mouth do not close, his head doesn’t fall limply. He just gets still, eerily still. His six weeks in Hell have concluded. He is free.
When there was nothing more that medical science could do for him, he insisted on coming home to die. But he didn’t submit easily. He fought it to the end, refusing to sleep for three days, fearing that he would never wake. He fought so hard that even when death finally came, his eyes wouldn’t close.
My siblings and I kept a 24-hour watch with him. While the others slept, at least one of us sat with him, holding his hand, all day, all night, at all hours. He was never alone. We would not let him die alone.
We leave the living room and gather in the kitchen, not quite sure what to do now. My aunt and uncle show up to weep with us. The undertakers arrive. I try not to watch, and I wish later that I hadn’t. I have never been able to erase the image of my father’s naked body, emaciated, jaundiced, and covered with bedsores, being zipped into a bag.
I cannot sit in the house any longer. I go outside, call the dog – Dad’s dog, the beloved part-huskie he named Mush – and the two of us go for a walk out to the woods at the far end of our 141 acres.
Mush chases birds and enthusiastically runs around with the energy of a child who has just been released from the classroom for recess. I sit on a rock and watch the joyful canine, oblivious to the fate of her master, and wish I was that happily ignorant. Instead, I wonder, what now? I worry about my mother, the loyal, dependent farm wife who has never lived alone. What will she do? Who will she live with?
Twenty-five years later, I reflect on all that has happened since. I need not have worried about Mom. Instead of shriveling up, she dipped into a reserve of strength that we never knew she possessed. Independent, sure and assertive, she laughs in the face of fate, a quality that has gotten her through cancer surgery, a new hip, and a new knee.
She never remarried, never even dated, although she's had opportunities over the years. Dad was her one and only.
My niece, only ten at the time of Dad’s death, wrote a school paper about her deceased grandfather, referring to him as the brightest star in the sky. The rest of us embraced that thought and even now, I still think of him immediately when the first star shows up at dusk.
It's strange to think that I'm now to the point where I have spent more years on the planet without a living father than with one. Too often when I think of him, I selfishly feel sorry for myself. I regret that he didn’t see me evolve past the stage where I was an unfocused young man pondering what to do with his life. I regret that he didn’t see his grandchildren, that he didn't see me get involved in my community, that he wasn’t there to help me fix the plumbing, that we couldn’t continue our annual trek to see the Brewers play.
I am relieved, however, that he met his future daughter-in-law. Mom always says that Dad heartily approved of my spousal choice and declared that she was "good for me." At a time when I wasn’t always making great decisions, at least he knew I had gotten that one right.
Mom comes to almost everything the kids are involved in – band concerts, plays, school ceremonies. She loves being there and I think in some way, she feels that by being there, Dad is, too.
A few years after his death, “Field of Dreams” showed up at movie theaters. At the end of the film, Ray Kinsella, the builder of the baseball diamond carved from a cornfield, is reunited with his long-deceased father, and they play a game of catch. I’ve seen the film dozens of times, and I always cry when this final scene unfolds.
Twenty-five years ago. I miss you, Dad.
Lying in the bed, gasping for breath, is my 61-year-old father, and he has just spoken the last words that will ever pass from his toothless mouth: “Last day.”
He is surrounded by his wife of 37 years, his four children, a pastor and a nurse. The pastor reads the twenty-third Psalm. The nurse checks vital signs and announces them like she’s in a televised medical drama. The family begs God to end the man’s suffering, some silently and some aloud.
Finally, in an undramatic, non-Hollywood fashion, his body stills. His chest doesn’t heave, his eyes and mouth do not close, his head doesn’t fall limply. He just gets still, eerily still. His six weeks in Hell have concluded. He is free.
When there was nothing more that medical science could do for him, he insisted on coming home to die. But he didn’t submit easily. He fought it to the end, refusing to sleep for three days, fearing that he would never wake. He fought so hard that even when death finally came, his eyes wouldn’t close.
My siblings and I kept a 24-hour watch with him. While the others slept, at least one of us sat with him, holding his hand, all day, all night, at all hours. He was never alone. We would not let him die alone.
We leave the living room and gather in the kitchen, not quite sure what to do now. My aunt and uncle show up to weep with us. The undertakers arrive. I try not to watch, and I wish later that I hadn’t. I have never been able to erase the image of my father’s naked body, emaciated, jaundiced, and covered with bedsores, being zipped into a bag.
I cannot sit in the house any longer. I go outside, call the dog – Dad’s dog, the beloved part-huskie he named Mush – and the two of us go for a walk out to the woods at the far end of our 141 acres.
Mush chases birds and enthusiastically runs around with the energy of a child who has just been released from the classroom for recess. I sit on a rock and watch the joyful canine, oblivious to the fate of her master, and wish I was that happily ignorant. Instead, I wonder, what now? I worry about my mother, the loyal, dependent farm wife who has never lived alone. What will she do? Who will she live with?
Twenty-five years later, I reflect on all that has happened since. I need not have worried about Mom. Instead of shriveling up, she dipped into a reserve of strength that we never knew she possessed. Independent, sure and assertive, she laughs in the face of fate, a quality that has gotten her through cancer surgery, a new hip, and a new knee.
She never remarried, never even dated, although she's had opportunities over the years. Dad was her one and only.
My niece, only ten at the time of Dad’s death, wrote a school paper about her deceased grandfather, referring to him as the brightest star in the sky. The rest of us embraced that thought and even now, I still think of him immediately when the first star shows up at dusk.
It's strange to think that I'm now to the point where I have spent more years on the planet without a living father than with one. Too often when I think of him, I selfishly feel sorry for myself. I regret that he didn’t see me evolve past the stage where I was an unfocused young man pondering what to do with his life. I regret that he didn’t see his grandchildren, that he didn't see me get involved in my community, that he wasn’t there to help me fix the plumbing, that we couldn’t continue our annual trek to see the Brewers play.
I am relieved, however, that he met his future daughter-in-law. Mom always says that Dad heartily approved of my spousal choice and declared that she was "good for me." At a time when I wasn’t always making great decisions, at least he knew I had gotten that one right.
Mom comes to almost everything the kids are involved in – band concerts, plays, school ceremonies. She loves being there and I think in some way, she feels that by being there, Dad is, too.
A few years after his death, “Field of Dreams” showed up at movie theaters. At the end of the film, Ray Kinsella, the builder of the baseball diamond carved from a cornfield, is reunited with his long-deceased father, and they play a game of catch. I’ve seen the film dozens of times, and I always cry when this final scene unfolds.
Twenty-five years ago. I miss you, Dad.
Wednesday, October 20, 2010
Small Town Boy in the Big City
For someone like me who lives in a city of 5,000 and works in an office surrounded by woods and fields, a rare business trip into downtown Chicago is a big deal.
Since my meeting is walking distance from the downtown Metra commuter train station, I opt to relax and ride the train from suburban Crystal Lake, rather than navigate the insane city traffic and overpay for parking.
As the train fills, strangers end up sitting next to each other. The natural inclination would be to acknowledge and greet the person who just planted their posterior two inches away. But no one does. And so I don't, either, when a middle-aged woman ends up beside me. She's not in business attire; she might be an office worker, a store clerk, or possibly just going to visit someone. It feels unnatural to me not to speak to her. I see everyone else in their seats, staring straight ahead, oblivious to their neighbors. I am reminded of the scene from “Metropolis” where the shifts of workers change, a mass of humans silently plodding along. The woman next to me yawns, and I see my opening. “I know how you feel,” I offer. She smiles and starts a conversation; small talk about not getting enough sleep and relying on caffeine to get through the day. Before too long, we run out of things to say and return to our silence. But at least the ice was broken, the chill is gone, and I relax. When we reach our destination, she smiles and wishes me a good day and encourages me to stay awake.
It's been about five years since I last took the Metra into downtown Chicago on business. The experience is so different than what I am used to that in a strange way, it excites me. I laugh when I think that what to me is a tourist attraction is to everyone else another day of mindless tedium. The last time I commuted in on the train, my final destination was too long to walk to from the station, so I doubled my public transportation pleasure and hailed a cab. The cabbie, who I guessed to be Jamaican from his accent, was an affable fellow wearing a White Sox cap. We chatted about the South Siders' then-recent World Series triumph as we maneuvered through the stop-and-go traffic. A train, a cab, a downtown destination – I felt like one of those guys you see portrayed in the movies. Jim Lyke, big city business guy.
Or at least, I'd like to think I am that guy. In reality, there is something about downtown Chicago that brings out the bumpkin in me. I gawk at the tall buildings. I marvel at the technology that hoists a bridge into the air in order for a ship to pass through.
It seems like each individual block of every downtown street has a second “honorary” name and street sign. Near the Tribune Tower, Michigan Avenue is also Jack Brickhouse Way, a memorial to the legendary Cubs broadcaster. Some of those so honored have familiar names (Ben Gurion), some not so much (Newton Minow, Christ Demos). I look up Minow later and discover that he was the FCC chairman who described television as a “vast wasteland.” For that quote alone, he should have an entire country named in his honor, not just a street.
After my meeting is over, I walk over to the local office of the outdoor advertising company I work for. I'll be meeting people that to this point I've known only by their phone voice or e-mail address. Our Chicago office is located on the 22nd floor of a building on Michigan Avenue, the heart of downtown. It's great to put faces to the voices. I play the part of the small town boy to the hilt, telling my big city cohorts that you could stack the four tallest buildings in Janesville and it still wouldn't add up to 22 floors. I'm not sure whether this is true or not, but it amuses them. What is true is that when you look out their windows, you see the John Hancock Center and behind it, Lake Michigan. When you look out mine, you often see wild turkeys. One tom even attacked his own reflection in our front door until he bloodied himself. We all sell the same thing for the same company but our experiences are as alike as Cher and Chas Bono.
After lunch with my counterparts, I head back toward the station, guessing that I have more than enough time to catch the next train back to the suburbs. I get stopped on Michigan Avenue by a young woman named Maddie who is selling memberships in Greenpeace. She somehow spots me as someone who cares about the environment, either by intuition or pure luck. Maddie admits that most guys dressed like me don't give a rat's ass about her cause. She is passionate about her organization and she's good – very good. We talk, she goes for the close. I stop short of commitment. She tries again. I tell her that I'm not the kind of buyer who makes a decision emotionally on the spur of the moment; I need to check out the facts. Maddie gives me the Greenpeace web site address. I promise her I'll visit the site and that if I make a donation, I'll make sure she gets the credit. I tell her I manage salespeople and compliment her on her skills. She tells me it's her second day on the job. I would love to hire her. But she could never sell what I sell. She could never care as much about 20 x 60 signs on I-90 as she does about saving palm trees in Indonesia. What I do goes against everything she believes in.
The conversation with Maddie delays me enough that I pick up the pace a bit. Up and down the downtown streets, you hear the rhythmic jangle of the downtrodden, shaking paper cups full of change that sound like broken tambourines – a wordless plea for assistance. As I approach one of the beggars, he smiles politely and asks me for help, rather than just rattling his cup as the others do. I can't help but feel horrible when I rush by, depositing nothing. What makes me - hurrying to catch a train in my suit and tie - a better, more worthy, more fortunate human being than this poor soul reduced to begging for change on a city street? Why has God smiled upon me, and not on this polite young man? Is he a panhandling snake oil salesman, hiding his evil intentions behind a convincing smile? Or is he so down on his luck and desperate that this is the only thing he can think to do to feed himself and his loved ones, yet his circumstances haven't broken his spirit?
With mere minutes to spare, I make it to my train and start the trip back to my real life. But the images of the desperate and destitute stay with me. Can I save the poor? Or for that matter, the whales?
Since my meeting is walking distance from the downtown Metra commuter train station, I opt to relax and ride the train from suburban Crystal Lake, rather than navigate the insane city traffic and overpay for parking.
As the train fills, strangers end up sitting next to each other. The natural inclination would be to acknowledge and greet the person who just planted their posterior two inches away. But no one does. And so I don't, either, when a middle-aged woman ends up beside me. She's not in business attire; she might be an office worker, a store clerk, or possibly just going to visit someone. It feels unnatural to me not to speak to her. I see everyone else in their seats, staring straight ahead, oblivious to their neighbors. I am reminded of the scene from “Metropolis” where the shifts of workers change, a mass of humans silently plodding along. The woman next to me yawns, and I see my opening. “I know how you feel,” I offer. She smiles and starts a conversation; small talk about not getting enough sleep and relying on caffeine to get through the day. Before too long, we run out of things to say and return to our silence. But at least the ice was broken, the chill is gone, and I relax. When we reach our destination, she smiles and wishes me a good day and encourages me to stay awake.
It's been about five years since I last took the Metra into downtown Chicago on business. The experience is so different than what I am used to that in a strange way, it excites me. I laugh when I think that what to me is a tourist attraction is to everyone else another day of mindless tedium. The last time I commuted in on the train, my final destination was too long to walk to from the station, so I doubled my public transportation pleasure and hailed a cab. The cabbie, who I guessed to be Jamaican from his accent, was an affable fellow wearing a White Sox cap. We chatted about the South Siders' then-recent World Series triumph as we maneuvered through the stop-and-go traffic. A train, a cab, a downtown destination – I felt like one of those guys you see portrayed in the movies. Jim Lyke, big city business guy.
Or at least, I'd like to think I am that guy. In reality, there is something about downtown Chicago that brings out the bumpkin in me. I gawk at the tall buildings. I marvel at the technology that hoists a bridge into the air in order for a ship to pass through.
It seems like each individual block of every downtown street has a second “honorary” name and street sign. Near the Tribune Tower, Michigan Avenue is also Jack Brickhouse Way, a memorial to the legendary Cubs broadcaster. Some of those so honored have familiar names (Ben Gurion), some not so much (Newton Minow, Christ Demos). I look up Minow later and discover that he was the FCC chairman who described television as a “vast wasteland.” For that quote alone, he should have an entire country named in his honor, not just a street.
After my meeting is over, I walk over to the local office of the outdoor advertising company I work for. I'll be meeting people that to this point I've known only by their phone voice or e-mail address. Our Chicago office is located on the 22nd floor of a building on Michigan Avenue, the heart of downtown. It's great to put faces to the voices. I play the part of the small town boy to the hilt, telling my big city cohorts that you could stack the four tallest buildings in Janesville and it still wouldn't add up to 22 floors. I'm not sure whether this is true or not, but it amuses them. What is true is that when you look out their windows, you see the John Hancock Center and behind it, Lake Michigan. When you look out mine, you often see wild turkeys. One tom even attacked his own reflection in our front door until he bloodied himself. We all sell the same thing for the same company but our experiences are as alike as Cher and Chas Bono.
After lunch with my counterparts, I head back toward the station, guessing that I have more than enough time to catch the next train back to the suburbs. I get stopped on Michigan Avenue by a young woman named Maddie who is selling memberships in Greenpeace. She somehow spots me as someone who cares about the environment, either by intuition or pure luck. Maddie admits that most guys dressed like me don't give a rat's ass about her cause. She is passionate about her organization and she's good – very good. We talk, she goes for the close. I stop short of commitment. She tries again. I tell her that I'm not the kind of buyer who makes a decision emotionally on the spur of the moment; I need to check out the facts. Maddie gives me the Greenpeace web site address. I promise her I'll visit the site and that if I make a donation, I'll make sure she gets the credit. I tell her I manage salespeople and compliment her on her skills. She tells me it's her second day on the job. I would love to hire her. But she could never sell what I sell. She could never care as much about 20 x 60 signs on I-90 as she does about saving palm trees in Indonesia. What I do goes against everything she believes in.
The conversation with Maddie delays me enough that I pick up the pace a bit. Up and down the downtown streets, you hear the rhythmic jangle of the downtrodden, shaking paper cups full of change that sound like broken tambourines – a wordless plea for assistance. As I approach one of the beggars, he smiles politely and asks me for help, rather than just rattling his cup as the others do. I can't help but feel horrible when I rush by, depositing nothing. What makes me - hurrying to catch a train in my suit and tie - a better, more worthy, more fortunate human being than this poor soul reduced to begging for change on a city street? Why has God smiled upon me, and not on this polite young man? Is he a panhandling snake oil salesman, hiding his evil intentions behind a convincing smile? Or is he so down on his luck and desperate that this is the only thing he can think to do to feed himself and his loved ones, yet his circumstances haven't broken his spirit?
With mere minutes to spare, I make it to my train and start the trip back to my real life. But the images of the desperate and destitute stay with me. Can I save the poor? Or for that matter, the whales?
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